For about five years. I learned the basics of it by watching the Sonic Academy tutorials. Then the rest I learned through trial and error.
I use Ableton. Its session view has influenced my life philosophy. The fact that you can arrange music non linearly is more akin to how I feel about life and art.
Recently my Numark Mixtrack. It’s a DJ controller, but I also use it as a midi controller in Ableton. It has some really nice touch strips, knobs and faders.
Reaktor and VCV Rack because they are so customizable and have great communities of users sharing their projects and their knowledge. I almost always use stock plugins for everything else: compressors, EQs, limiters, effects, etc.
Start with the kick. On a five-minute dance track of 128bpm, you will probably hear the kick 500 times, more or less. It should be a really nice kick. Then build the groove. I lay lots of drums and sometimes they become one-shots and then synth lines, or reverbed out pads.
I deep dive into the YouTube suggestions, but I can’t say I have a specific go-to source.
Don't overproduce. Sometimes I get many ideas at once and I've come to the conclusion that it's best to separate them into different projects or let some go. If they are that good, they'll stay in my subconscious and come afloat again later, preferably better developed and matured.
Creative block, in general, is a recurring theme in my life. I’ve found that always being curious and trying out new things helps. Whether it be a new field of interest, new music and new place but something new and stimulating.
Don't forget Ableton 10 has a capture button. This has been really helpful because if there are no other midi tracks it will set the project tempo to roughly what you played the capture clip in. Sometimes I just bang along without thinking in bars or measures and having Ableton transcribe it is very helpful.
Nothing other than a web timer to make sure I stay on track.
Unfortunately no. This is an area I'm lacking. But to my credit, I’m my biggest critic. But I have no way of gauging if these ideas are based on reality or not. Music is a personal thing and when I put it out it becomes a social thing in how it and I interact with others. But not in my process.
In particular none, but last year I trudged through and made 180 tracks. I have them all in an MP3 and when I need a pick me up, I give it a listen and remind myself what I can do with time, focus and effort.
Yes, I love to listen to what other people make. There are a lot of creative people on Re-Ex and I love to benchmark myself against them.
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This interview has been lightly edited for brevity and clarity.